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Modern Times Clippings 308/382

Karen Hollis, Modern Screen, New York, March 1936.

Walt Disney, „Mickey‘s Polo Team,“ 1936 (with

player Charlie Chaplin)


„In one of his rare bursts of confidence“

Editorial content. „CHARLIE CHAPLIN,

      THE SERIOUS FUNNY MAN

      In reality, this lovable screen tramp is a charming

      scamp, or a solemn chap at will

      By Karen Hollis

      At last, there is another Charlie Chaplin picture to be chuckled

over, and thousands of youngsters who have grown up

to movie-going age since four and one-half years ago, when his

last picture was shown, are having the fun of discovering

him for the first time.“ (...)

      „Charlie Chaplin himself is all things to all people. Stop any

five of his most intimate friends (and you never saw a man

who has so many intimate friends from  here to Japan) and they

will all tell you a different story.“ (...)

      „I like best to remember him at big parties. I have seen

him stand behind a phonograph imitating an orchestra

conductor. His anxiety, then relief, over a brief solo from the first

violin, his dismay over a sour note, his frantic efforts

to get more volume from his orchestra, make you see every

one of the stodgy or temperamental, sleepy, or nervous,

or arrogant players in his imaginary orchestra.“ (...)

      „Don‘t get the idea that Chaplin is always the inspired clown.

Quite the contrary. Back in June, 1929, he and Lindbergh

were fellow guests at a small luncheon party on a yacht anchored

in the Hudson. Lindbergh had recently returned from his

solo flight across the Atlantic, and Manhattan was one shoving,

screaming, persistent lot of maniacal hero worshippers

who all wanted to get close to him and talk to him. At luncheon

Lindbergh experienced the first moments of quiet in a

hectic day. He seemed happy and hurried away to pressing

engagements with obvious regret. As the dinghy bearing

him toward shore splashed its way through the water, the

disconsolate little figure of Chaplin practically hung

over the rail waving ,Good-bye.‘

      There he stayed, watching Lindbergh land, get in a car,

and drive away. Eventually, Chaplin straightened up and turned

a curiously wistful face toward the others on deck.

      ,I wish I‘d had nerve to ask him for an autograph,‘

he said earnestly.“ (...)

      „Maybe you think he should rise above brooding

because he stands alone as an idol of the world, with only

Mickey Mouse as a possible rival.

      But Chaplin in one of his rare bursts of confidence

to a newspaper man recently said, ,I got most of the things

I wanted, but I found out after I got them that I should

never have wanted them.‘“

      Drawing of shoes, hat and stick.


Redaktioneller Inhalt


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