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A Woman Clippings 4/72

Victor Eubank, Photo-Play Review, New York, April 20. 1915.

The Transparency (...)

Large, Hand-Colored Pictures

      Size 22 x 28 inches of 75 Prominent Film Favorites,

including some of the Comedians in character

make-up, $0.75 each, framed with glass, $2.50.

      Photo. Charlie Chaplin. (...)

KRAUS MFG. CO.

(...) Moving Picture World, May 15, 1915

& This Cut

made for Newspaper or Program advertising

is the kind we furnish of the popular

players – 500 different Names. It will print on the cheapest

quality pf paper.

      Price, 40 cents each. (...)

KRAUS MFG. CO.

(...) Moving Picture World, July 3, 1915


„It is the little things that make for the big successes“

Editorial content. „The Funniest Man of the Screen

      By Victor Eubank

      Charles Chaplin, comedian and the leading

exponent of the brand new art of making comedy for the silent

drama, is twenty-five years old and has been an actor

all his life. He was born in a suburb of London and his family

is one which had made its living by the footlights for

generations. His father and mother are on the stage today

and he was practically born on the stage. He started

his career at the age of seven when he did some clog dancing

in a London theatre. A little while after he had appeared

in this play he left the stage to attend the Kern Boys‘ College

near London, where he stayed two years gathering

the scholastic foundation which he has improved so much

by reading and the observation of human men

at their work.

      When he went back on the stage again, he was with

the Charles Frohman Company in London for three

years playing ,Billy‘ with William Holmes. He came to America

playing the lead comedy part with Fred Karno‘s A Night

in an English Music Hall. This was a pantomimic hit. Mr. Chaplin

was the drunk who disrupted the performance by his

vociferous appreciation or his equally vociferous dislike

of the acts which were supposed to come under

his notice. His characterization of the inebriated man-about-town

made for the success of the little play in vaudeville and

enabled it to pad its bookings with an uninterrupted playing

list. It was while in this play that Mr. Chaplin attracted

the attention of the moving picture makers and he was given

a contract to play on the screen.

      His work before the camera rapidly raised him from the

position of the ordinary screen comedian to the rank of a genius

and he attracted the attention of the Essanay Company,

always on the qui vive for the best in moving pictures. He was

offered a contract at a fabulous salary and he showed

his good sense by accepting it and enlisting for service under

the banner of the Essanay company.

      Mr. Chaplin has made a thorough, painstaking study

of comedy in pantomime and this was a sort of preparatory

course for his moving pictures and his work has made

him the best known actor on the screen today. This does not

bar the serious stars of the silent drama. Wherever there

is a Chaplin booking there the public flocks.

      ,Comedy is a serious proposition,‘ said Mr. Chaplin

in the course of an interview with the representative

of a paper. ,It is a serious study to learn characters. It is a hard

study. To make comedy a success there must be an

ease, a spontaneity in the acting that cannot  be associated

with seriousness. A move before the camera a minute

too soon or a minute too late will render the picture either

grotesque or inaccurate. The right move at the right

time, the queer little quirk that is a slight exaggeration of what

makes a picture a ,scream‘ and which sets the audience

laughing.

      ,Realism is the all-important factor. Humor and comedy

are the most intensely human arts in the business

of portrayal. A man will laugh at a thing he knows is true and

his heart responds to the humor of a situation with which

he is familiar. That is why I work for days on my study of the

character I am to play and that is why I work with only

occasional references to the scenario to keep in mind the

skeleton of my story.‘

      Mr. Chaplin is a Belasco and Edison in his attention

to detail. He has grasped the essential truth that

it is the little things that make for the big successes. Go to see

a Chaplin picture and study it carefully. You will find

that the things that bring the roars of laughter are made

up of a funny little move of the foot, or a perfectly

natural start of surprise at something you know is obvious,

or a grin of appreciation caused by satisfaction

of some sort.“


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