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The Vagabond Clippings 4/55

Moving Picture World, New York, July 1, 1916.

It was during the filming of „The Vagabond“ out on

location, Charlie was „stumped“ on a piece of

business so he got out the trusty fiddle and doped it out.

(...) Photoplay, March 1918

& CHARLES CHAPLIN‘S famous violin, about which so much

has been printed, by the way, makes its initial public

appearance in „The Vagabond.“ The violin, an unusually

valuable one possessing an exceptionally sweet

tone, was presented to the Mutual‘s $670,000 comedian

by a friend, some years ago. The studio manager,

when time for the filming of the scene in which the violin plays

a part, came around, suggested that a „prop“ fiddle

be used. Chaplin, however, refused, and sent one of the employees

to his apartment to get his favorite instrument.

(...) New York Clipper, July 1, 1916


„Brings into play his famous violin“

Editorial content. „Manufacturers‘ Advance Notes“ (...)

      „The Vagabond (Chaplin-Mutual).

      The third Chaplin-Mutual comedy will be released July 10

under the title of The Vagabond. In this story the player

returns to his famous make-up which he discarded temporarily

for the filming of The Fireman, his preceding Mutual

release. Eric Campbell, the ,heavy‘ of Mutual-Chaplin releases,

Edna Purviance, the comedian‘s leading woman.

Leo White, Charlotte Mineau, Phyllis Allen and Lloyd Bacon,

all have important parts in The Vagabond.

      The story, while presenting a series of typical Chaplin

laugh-provoking comedy, nevertheless has its touch

of pathos, and well known dramatic qualities. For the first time

in his career, Chaplin, who essays the role of an itinerant

musician, brings into play his famous violin of which so much has

been written.

      An unusual artistic touch is added to one of the interior sets, depicting a ball room of a New York social leader‘s home,

by the use of valuable paintings, loaned by one of his wealthy

friends of Los Angeles. Among other old masters in this

particular scene is a genuine Rembrandt, loaned to Chaplin

by a Coast connoisseur. For a certain incident in one

of the other interior scenes a splendid oil painting of Miss

Purviance, recently completed and forwarded to her

by a leading New York painter, is used.“

      Photo.


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