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Los Angeles Times, Los Angeles, California, Feb. 21, 1928.

GRAUMAN‘S CHINESE THEATRE, HOLLYWOOD, CALIFORNIA

      Meyer & Holler, Inc., Architects

(...) Photo, Architectural Record, Aug. 1927

& Mayor Rolph to be Guest

      at „Circus“

      At tonight‘s performance at the Chinese Theater, Sid

Grauman will have as his honored guest Mayor

James Rolph, Jr., of San Francisco. The program has been

dedicated to all former residents of the northern city,

now in Los Angeles.

(...) Los Angeles Times, Feb. 27, 1928

& GRAUMAN‘S CHINESE (...)

      Tonight‘s Performance Dedicated to Mayor James Rolph, Jr.,

of San Francisco

      CHARLIE CHAPLIN „THE CIRCUS“

      and Sid Grauman‘s „Bally-Hoo“ Prologue           

(...) Los Angeles Times, Feb. 27, 1928

& CHINESE (...)

      DON‘T ALLOW

      YOUR EASTERN GUESTS

      to return without giving them a theatre party to enjoy

CHARLIE CHAPLIN in „THE CIRCUS“

with SID GRAUMAN‘S „BALLY-HOO“ PROLOGUE

(...) Los Angeles Times, March 1, 1928

& „CIRCUS“ AVERAGES $29,500 AGAIN;

      L. A. TOURIST TRADE 30% OFF

      Bancroft at State Tops Dix at Met, $23,000 to $22,400

      –„Four Sons“ Tumbles $2,000 – „Sorrell“ Beats 1st Week

      – Jolson Fading – Biz Generally Off

                                                Los Angeles, Feb. 28.

               (Drawing Population, 1,450,000)

      Panic seems to be on. A holiday last week with most

of picture houses not even charging extra tarfiff, and

still trade was none too brisk. Army of unemployed appears

to grow each week, and the railroads are bringing

in 30 per cent. less tourists than last year.

      Grauman‘s Chinese and Biltmore about the only houses not

feeling the off trade. Biltmore, though light afternoons,

is doing first rate at night with „Wings,“ while „The Circus,“

at the Chinese, gives evidence of going at least

20 weeks. (...)

      Estimates For Last Week

      Grauman‘s Chinese (U. A.) „The Circus“ (U. A.) (1,958;

60-$1.50). Ace picture striking best average for any picture ever

shown in town; fourth week around $29,500.

(...) Variety, Feb. 29, 1928

& DOG ACTOR OUTPLAYS

      HIS MASTER

      Canine Understudy Made Solo Performer

      as He Bosses Audience

(...) Los Angeles Times, Feb. 26, 1928

& CIRCUS GROUP

      BORN ON ROAD

      Mothered by the circus from infancy were the Three

Freehands, equilibrists, appearing in Sid Grauman‘s

prologue „Ballyhoo,“ to Charlie Chaplin‘s „The Circus,“ ar the

Chinese Theater,

(...) Los Angeles Evening Express, Feb. 28, 1928


„Born as the parents were ,on the road‘“

Editorial content. „THREE BORN TO CIRCUS

      Acrobats Fall Naturally Into Ways

      of Sawdust-Ring Folk

      Virtually ,born to the big tops‘ are the Three Freehands,

brother equilibrist troupe appearing in Sid Grauman‘s

prologue Ballyhoo to Charlie Chaplin‘s newest comedy, The

Circus, now at Grauman‘s Chinese Theater.

      The father and mother of the brothers were circus folk,

their children being born as the parents were ,on the

road,‘ one son first seeing the light of day in Savannah, Ga.,

and the other two in widely separated countries

of continental Europe,“ (...)

      Chinese, 6925 Hollywood Boulevard, Los Angeles.

      Grauman‘s Chinese Theater, 6925 Hollywood Blvd., L. A.

      The Circus is released by United

      Artists in New York January 6, 1928.


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