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The Circus Clippings 214/376

Alma Whitaker, Los Angeles Times, L. A., Cal., Jan. 29, 1928.

Circus days in Hollywood

      Every girl is a circus girl these days in pictures. Films

of the big-top shows are epidemic, and fair heroines

have turned trapeze performers, bare-back riders, lion-tamers

and acrobats all over the colony for the sake of the

new vogue in stories. What started this rage for circus films?

Oh, ask us another. Anyway, they‘re very pictorial.

      Merna Kennedy in „The Circus,“ the Chaplin film soon to show.

(...) Photo, Los Angeles Times, Jan. 29, 1928

& Poodles Hannefords Poster from the Sells-Floto Circus,

undated, circusesandsideshows.com


„Funny, but I played on the same bill with him years ago

Editorial content. „LONG-DISTANCE CALL

      BRINGS ,POODLES‘

      Sid Called Him in New York and Clown Started

      for Chinese Theater With White Horses and Group

      of Performers

      By ALMA WHITAKER

      Oh, but Sid Grauman had a dazzling idea when

      he long-distanced New York and secured

      ,Poodles‘ Hanneford, the world‘s spiffiest circus clown,

      for his prologue for Charlie Chaplin‘s Circus.

            It was a sumptuous impulse in the middle of last week,

      and Poodles had been Hippodroming in New York

      for a year, his engagement miraculously concluding last

      Sunday night. ,Can you come, and how much?‘

      shouted Sid from Los Angeles. ,Can do. So much...“ shouted

      Poodles from New York. ,Sold‘ boomed Sid.

      And Poodles, with his eight performers and his five gorgeous

white horses and their valets, boarded a train at midnight

last Sunday, with the wires sizzling all over the country to insure

the special cars being hitched on to the Navajo Limited

in Chicago. James Duffy, general passenger agent, traveled

with the horses to make dead sure they caught that

Navajo Limited, and they arrived at 7:30 Friday morning,

the very day of the grand opening.

      GRAPEFRUIT AND TEA

      Which is how I came to breakfast with the world-famous

Poodles opposite the Chinese Theater, rolls and butter

and tea to the fare that nourishes the funniest, cleverest clown-

rider that ever delighted circus audiences.

      Poodles is a little chap whose English father ran a traveling

circus around the British Isles and Poodles was actually

born in a circus caravan at Barnsley, Yorkshire. At 5 years

of age he was doing horseback stunts with father.

He can do anything on and with horses. One of his funniest

stunts is just walking off the horse‘s back with insouciant

nonchalance – ,Just because I  was too lazy to jump off,‘ grins

Poodles.“ (...)

      „ALL-IRISH SHOW

      ,They put on an all-Irish show at the New York Hippodrome...

And people asked how I got in on that,‘ grinned Poodle.

,I told ‘em, My father took the first circus into Ireland and our

elephant hated the Irish. He wouldn‘t let us ride him

or crate him or anything. So my job was to walk that elephant

all over Ireland for twelve years. Say, I‘m more Irish

than any Irishman after that.

      ,One day our mean zebra got loose in Ireland,‘ chuckles

Poodles. ,It wandered in the hills and scared Ireland

stiff, an ass in a football sweater, a contraption of the Devil

for sure...‘

      Poodles has never met Chaplin, ,but he‘s the greatest clown

of us all,‘ he says. ,Funny, but I played on the same bill

with him years ago, and never spoke to him. How was I to know

he was going to be the king-pin of us all some day?

Say, this Circus show of his is blocking the traffic in New York.

They stand in line for blocks for hours before every

show. It takes six cops to regulate ‘em. All the old circus people

flock. You know May Wirth, of course, the finest rider

anywhere at anytime, owns a gorgeous home on Long Island –

well, you should see her sniff the sawdust and ache

to get back in the game...‘

      So Hollywood is one big circus parade these days. The

Chinese Theater has been transformed into a seeming

tent, marvelous animals and clowns adorn the big promenade

space outside the theater. It looks as though one could

crawl in under the tent... children and grownups stand around

in ardent expectancy – anything might be expected

to happen any minute. ,Gee, I wouldn‘t have missed this for

anything,‘ beams Poodles.“    

      Grauman‘s Chinese Theater, 6925 Hollywood Blvd., L. A.

      The Circus is released by United

      Artists in New York January 6, 1928.


Redaktioneller Inhalt


Grauman´s The Circus Premiere   1928, 4´27“

The supposed „time travel/cell phone“ woman walks past the

„zebra horse“ in the first 30 seconds of the clip.


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