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City Lights Clippings 234/387

Variety, New York, February 25, 1931.

New York‘s Critics Go Wild With Enthusiasm (...)

      „Help!“ cry ticket takers at Geo. M. Cohan Theatre, N. Y.

      Thousands rushing, surging, jamming, cramming,

standing, waiting, – all with one thought in mind – „We‘re going

to see ,City Lights‘ or bust“ – and nobody busts.

      More than 55,000 people passed the ticket takers

in five days. No wonder they holler „Help!“

      Rain, snow, and cops mean nothing. If it pours, they

wait in line; if it snows, they don‘t notice it – and if the cops try

to hold ‘em, they break right through.

      What a picture!! What an attraction! Experienced

showmen are watching the Cohan Theatre run with speechless amazement.

      It‘s the topic of the day throughout the entire industry,

and –

      United Artists are almost as busy as the Cohan Theatre

ticket takers listening to propositions.

      Everybody wants this One!

(...) Ad Photo, Film Daily, Feb. 13, 1931, detail

& Ticket Stand-In For Cohan –

      Arrest Made

      Magistrate Mogilesky in West Side Court held John

Campbell, 24, usher and ticket taker at the Cohan

theatre, for trial in Special Sessions. Campbell is the son

of a police matron and resides at 142 Audubon

avenue. He denied the charge.

      „City Lights“ is appearing at the Cohan theatre. Tickets

have been resold after they had been accepted

at the door. William H. Rudolph, manager, told Assistant

District Attorney James Fitzsimmons. Rudolph

asserted the racket has been going on since the Chaplin

picture began playing.

      Rudolph played sleuth. He learned, he told the court,

tickets were being peddled after the they had been

accepted at the door. Rudolph said, the tickets fell into the

hands of „Able,“ a ticket spec, near the Cohan.

      A colored employee was questioned by Rudolph.

He admitted Campbell gave him tickets to turn

over to Able. Two other employees told how Campbell

broached the subject of joining the scheme,

but they declined.

      Thirty dollars worth of tickets accepted at the door were

taken outside to Able, stated Rudolph. Campbell

had been employed at the theatre for two weeks, stated

the manager. It was not disclosed how the leak

came about. The colored employee was not discharged.

(...) Variety, Feb. 25, 1931


„Plunged madly on during festive period“

Editorial content. „Millie‘s 3d B‘way Wk. May Beat

      Its 1st.“ (...)

      „Three days of holiday prices will do plenty for the

Broadway houses this week. Weather was good and Monday

  1. (23)the crowds made it an effort to navigate along the

Street. Business, in fact, was unusually strong all over the cast,

mild temperatures and clear skies thawing the public

into amusement shopping.“ (...)

      „The Chaplin picture is also sticking with the leaders

at the diminutive Cohan. The holiday was perfect

for this comedy film and sufficiently strong to make it look

as if its third week will not drop much behind $60,000,

although $55,000 may be a closer tabulation. Pace is still

strong despite that the average week day totals are

now running from $1,000 to $1,500 under the terrific first week

getaway. Last week City Lights nudged $60,000,

demonstrating less than a normal drop.“ (...)

      „Estimates for This Week“ (...)

      „Cohan (1,395: 50-$1) – City Lights (UA) (3d week).

Plunged madly on during festive period, but week-day takings

now $1,000 to $1,500 behind opening week‘s pace;

makes it look like a third week of around $55,000; still great,

after finally touching $60,000 on second week.“

     The world premiere of City Lights takes place in Los Angeles

      January 30, 1931 at the Los Angeles Theatre.

      Los Angeles Theatre, 615 South Broadway (between

      6th and 7th Streets), Los Angeles.

      City Lights opens in New York February 6, 1931

      at the Cohan Theatre.

      George M. Cohan Theatre, 1482 Broadway (between

      42nd and 43rd Streets), New York.


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