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Behind the Screen Clippings 84/93
Evening World, New York, May 29, 1920.
Simplex, The Precision Machine,
A Close-up of the Heart of S. L. Rothapfel‘s Rivoli The Grandest,
The Most Magnificent Temple Ever Erected to the Cinema God
(...) Moving Picture World, Jan. 12, 1918
& Rivoli Theatre, exterior by day, marquee „The Melody
Lingers On,“ New York
(...) Film Daily, Nov. 7, 1935
& Rivoli Theatre, exterior by night, marquee The Triumph of Motion
Picture, Anniversary Week Douglas Fairbanks, New York
(...) Motion Picture, Nov. 1920
United States Marines in „The Unbeliever“ at Rothapfel‘s Rivoli
(...) Moving Picture World, March 16, 1918
Rivoli Theatre, box office at 8:45 A. M., New York
(...) Film Daily, Nov. 7, 1935
& Recording thermometer used in front of the Rivoli theatre,
New York City, to prove to the skeptics just what
temperature is inside since the new air refrigerating system
has been installed.
(...) Photo, Motion Picture News, Sept. 12, 1925
& Rivoli Theatre, general view of the mezzanine, New York
(...) Motion Picture, July 1918
& Rivoli Theatre, dome, New York
(...) Motion Picture, July 1918
& Rivoli Theatre, proscenium and orchestra stage, New York
(...) Motion Picture, July 1918
& The music programme at the Rivoli will begin with the
overture from „The Merry Wives of Windsor“ by
Nicolai, played by the orchestra, Frederick Stahlberg and
Joseph Littau conducting. A duet, „Sunrise and You,“
by Arthur A. Penn, will be sung by two sopranos, Misses Betty Andersen and Gladys Rice. The organ solo, played
by Firmin Swinnen, will be „Solemn March,“ by Joseph Gallarts.
(...) Sun, New York. May 30, 1920 and
New York Herald, May 30, 1920
& Cecil B. De Mille‘s „Why Change Your Wife?“ which has
had a five weeks‘ run at the Criterion, will move
into the Rivoli Theatre for the week. Charlie Chaplin in „Behind
the Screen,“ a revival and the Rivoli pictorial are
other features.
(...) Sun, New York. May 30, 1920 and
New York Herald, May 30, 1920
& The Rivoli, taking over the Criterion‘s passenger list,
offers the problem of „Why Change Your Wife?“
and finishes with Charlie Chaplin in „Behind the Screen.“
(...) Sun, New York. May 31, 1920 and
New York Herald, May 31, 1920
& Rivoli Cecil B. De Mille‘s „Why Change
Your Wife?“ Moved From Criterion After Five Weeks‘ Run
Charles Chaplin Revival „Behind the Screen“
Rivoli Orchestra. Frederick Stahlberg, Conducting.
(...) New York Tribune, May 30, 1920
& Rivoli (...)
Beginning Sunday
Cecil B. De Mille‘s
„Why Change Your Wife?“
Moved From Criterion After Five Weeks‘ Run.
Charles Chaplin Revival
„Behind the Screen“
Rivoli Orchestra. Frederick Stahlberg, Conducting.
(...) Evening World, New York, May 29, 1920
„Charlie Chaplin in Behind the Screen“
Editorial content. „Rivoli – Cecil B. De Mille‘s production
Why Change Your Wife? moves to this theatre after a five week‘s
run at the Criterion. In this comedy-drama of married life
Thomas Meighan and Gloria Swanson play the principal roles.
Charlie Chaplin in Behind the Screen and the Rivoli Pictorial
will round out the film bill. The concert numbers will include the
Merry Wives of Windsor overture.“
Rivoli Theatre, Broadway at 49th Street, New York.
Redaktioneller Inhalt
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