The Pawnshop Clippings 90/99
Ogden Standard Examiner, Ogden, Utah, September 10, 1922.
Rivoli, exterior by night, marquee Elsie Ferguson
The Danger Mark, New York – How the Rivoli Theatre Looks
Now. It Was Intended That There Should Never Be
Any Sign on the Building, But This Had Been Laid Aside for
the Patriotic Display Which Includes the Emblem
of the Marine Corps
(...) Photo, Motion Picture News, July 27, 1918
& Rivoli, exterior by day, marquee Douglas
Fairbanks, The Most Stirring Story of All Time, „The Iron
Mask,“ Hear Doug Talk – Synchronized
by Hugo Riesenfeld, New York
(...) Motion Picture News, March 9, 1929
& Rivoli, exterior by day, marquee
World Premiere, Doug Fairbanks, Doug Speaks From
The Screen, New York
(...) Motion Picture News, March 9, 1929
& Rivoli, exterior by night, marquee
The Triumph of Motion Picture, Anniversary Week
Douglas Fairbanks, New York
(...) Motion Picture, Nov. 1920
& Rivoli, box office, The Melody Lingers On, New York
(...) Film Daily, Nov. 7, 1935
& The Rivoli, Triumph of The Motion Picture, interior,
New York, undated, postcard in color
& First Runs On Broadway
Their Presentation and Press Comments by Various
New York Dailies (...)
Rivoli
-
1.OVERTURE – Phedre (Jules Massenet)
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2.RIVOLI PICTORIAL
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3.Spring, a Fantasy. Setting by Joseph Urban. Dance interlude
by Lillian Powell and Martha Mason
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4.FEATURE – Marion Davies in The Young Diana
(Paramount)
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5.Sunrise and You (Arthur Penn) Miriam Lax, soprano;
Susan Ida Clough, mezzo soprano
6. The Pawnshop. A Charles Chaplin Revival
(...) Exhibitors Trade Review, New York, September 9, 1922
& Rivoli – Marion Davies will be seen in „The Young Diana,“
by Marie Corelli. It concerns an English society girl
verging on spinsterhood who is transformed into „Mlle. Galatea,“
queen of the ice carnival at Montreaux. Charlie Chaplin
in „The Pawnshop“ and the Rivoli Pictorial will complete the film programme. Von Suppe‘s „Morning, Noon and Night
in Vienna“ will be the overture.
(...) Evening World, New York, August 26, 1922
„Chaplin‘s face was never more expressive“
Editorial content. „One of Charlie Chaplin‘s old comedies,
The Pawnshop, is now being revived. It was made
years ago. After seeing it, one wonders why Chaplin was not
accepted as an artist in the days when he was
considered just one among many screen players. Chaplin‘s
face was never more expressive that it was in
that comedy. The Pawn Shop is a better comic than than
Chaplin‘s last, Pay Day.“
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