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The Kid Clippings 154/268

Grace Kingsley, Los Angeles Times, L. A., Calif., Feb. 21, 1921.

SPECIAL costumes for attendants has become a rule rather

than an exception in the majority of theatres where

feminine ushers are employed. S. Barret McCormick dressed

ushers of the Ambassador and Kinema theatres,

Los Angeles, as shown above for the showing of „Passion,“

the First National attraction, gaining definite relationship

of atmosphere to picture and unusually pleasing optical effect

by a single stroke.

(...) Photo, Exhibitors Herald, April 16, 1921

& „Curtain“ Accorded First Prologue

      Staged By S. Barret McCormick at New Ambassador

      S. BARRET McCORMICK, a national figure

by reason of his spectacularly effective

showmanship methods applied at the Circle theatre,

Indianapolis, Ind., and later at the Rivoli, Toledo,

O., thoroughly satisfied West Coast expectations when citizens

of Los Angeles were shown his first prologue staged 

at the New Ambassador theatre, illustrated herewith. „Curtain,“

Katherine MacDonald‘s First National attraction, was

the production accorded the presentation.

(...) Photo, Exhibitors Herald, Feb. 12, 1921

& Ambassador-Kinema „Passion“

      Presentation McCormick‘s Greatest Work on West Coast

      S. BARRET McCORMICK, managing director

of the Ambassador and Kinema theatres, Los Angeles, scored

his most remarkable success since joining West

Coast showmanship circles in his exploitation and presentation

of „Passion,“ the First National attraction. The above

illustration, showing the prologue staged at both theatres,

conveys a general impression of the character which

the entire enterprise assumed.

(...) Photo, Exhibitors Herald, April 9, 1921


„In this, Chaplin‘s supreme art is seen“

Editorial content. „,The Kid‘ Reigns

      Chaplin‘s Latest Brain Child a Wonder

      By Grace Kingsley.

      The Kid is here at last!“ (...)

      „There‘s really no classifying The Kid. The best one can

do is say that it has all the old melodramatic material,

but so jazzed up with fun and with its drama so simply and

humanly played, that it almost fools you into believing

it is like life. In this, Chaplin‘s supreme art is seen.

      And who that feels his power to evoke laughter and tears,

as the happy-go-lucky bum, who has the baby wished

on him to care for, will ever deny him the title of artist?“ (...)

     Ambassador Theatre, 3400 Wilshire Blvd., Los Angeles.

      The Kid is pre-released by First National

      in Los Angeles February 19, 1921.


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