The Circus 1927 1928 1929 next previous
The Circus Clippings 2/376
Emma-Lindsay Squier, Picture-Play, New York, August 1919.
CHARLIE CHAPLIN
in „The Circus“
A United Artists Picture
The world‘s two biggest attractions combined –
Charlie Chaplin and „The Circus“ – making the greatest
comedy of all time!
Charlie‘s the whole show but doesn‘t know it!
It‘s a circus – all laughs!
IMPERIAL Theatre
(...) Asheville Citizen-Times, Asheville, North Carolina,
Feb. 14, 1928.
Imperial Theatre, 32 Patton Avenue, Asheville.
& Cirkus Czech Poster, ebay
& Today and all Week at Your
LINCOLN SQUARE
Back Again!
Charlie Chaplin
in „The Circus“
& (...) Decatur Evening Herald, Decatur, Illinois,
March 11, 1928.
Lincoln Square Theatre, 141 North Main Street, Decatur.
& The Circus Lobby Card
Henry Bergman, Charles Chaplin, ebay
& The Circus Japan Revival Program, ebay
& El Circo Revival Poster, ebay
& The Circus Still, ebay
„That struck me awfully hard“
Editorial content. „The Circus – and Charlie
Showing that when you really get to know people
they‘re pretty much the same the world over.
By Emma-Lindsay Squier
I went to the circus to get a story ,behind the scenes‘
of the ,big top,‘ and the performers talked of Charlie Chaplin.
The next day I went to see Charlie to get a line on his
next picture, and he talked – of the circus. It reminded me
of the story of the man who took his thirteen children
to see the double-headed giraffe, and who asked for a reduced
rate for his numerous brood.
,Are all them kids yours?‘ demanded the astonished
ticket seller.
,They sure are!‘ answered the proud parent.
,You won‘t have to pay no admission at all,‘ explained
the other. ,You wait here and I‘ll bring the giraffe out
to see you!‘
The moral is obvious. Charlie and the circus liked
each other on first sight, each hailing the other as the world‘s
greatest attraction.
I don‘t suppose I‘d have gotten the double-header
story if it hadn‘t been for Albert and his appetite.
Albert is the biggest elephant in the Barnum & Bailey
aggregation, and when I saw him I forgot the other
performers.“ (...)
„Here on the lot, as in the dressing tent, the
performers were discussing the all-absorbing topic of the
season – Chaplin‘s visit.“ (...)
„The next day I interviewed Charlie at his studio.“ (...)
„,You know, I‘d like to make a circus picture;
I went behind the scenes yesterday. Did you hear about it?‘
I said, a trifle wearily, that I had heard about
it. What I did not say was that I had heard nothing else.
,It was great stuff. I enjoyed it immensely, you know, and
yet – well, it seemed sort of pathetic to me.‘
It is typical of Chaplin to remark the shadowed tones
of any picture. Perhaps that is why he is a great comedian.
,It was all so artificial – so tawdry, so inconvenient
– there is so much confusion and so little privacy, you know.
I couldn‘t help thinking of the people as puppets dressed
gayly for a little hour, to bend and nod and smile, to do their
little stunt, then to be chucked back into their box. And
do you know,‘ he went on, ,I think they felt that way about
me; I was a sort of shadow that come off the screen
for a while, and I‘m afraid they were disappointed in me.
They expected me to be funny and to crack jokes;
they seemed awfully surprised to find that I was just human.‘
We talked of the clowns and of the one who
imitated the Chaplin walk.
,I found, after the last performance,‘ he went on,
,that Marceline, who was at one time the world‘s most famous
clown, was among the slapstick fellows that night – not
featured, not billed in any way – just a common clown; that
struck me awfully hard. You see, I played on the same
bill with Marceline years ago in London when he was the rage,
and yesterday afternoon, they told me, he sneaked
away to avoid meeting me, A thing like that is wretched,
isn‘t it?‘“
Eleven photos.
Redaktioneller Inhalt
The Circus 1927 1928 1929 next previous
