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Burlesque on Carmen Clippings 98/101

Screamer. Los Angeles, California, November 11, 1916.

Charlie Chaplin‘s Burlesque on Carmen Scenes

& Today The First Essanay-Chaplin Revue of 1916 in 5 Acts

(...) Moving Picture World, Nov. 4, 1916

& Norman Rockwell (illustrator), People in a Theatre Balcony,

Saturday Evening Post, Cover.

      A family of six people seated in a theatre balcony – with

grandpa, mom and dad, in the front little sister and brother. In the

back big sister. in the dark she is holding a playbill titled

„Tonight“ with Charlie Chaplin on the cover. Her brother in the

front is holding the same playbill. Apparently they all are

„Charlie Chaplin Fans.“

(...) Saturday Evening Post, Indianapolis, Indiana, Oct. 14, 1916

& The Saturday Evening Post, the world‘s greatest weekly

magazine, pays homage to Charlie Chaplin, the

world‘s greatest comedian, by alloting to him space on its front

cover in the issue of October 14.

(...) Moving Picture World, Nov. 4, 1916

& „Essanay-Chaplin Revue of 1916“

      From Three of the Comedian‘s Successes Five Reels

      of Typical Chaplin Mirth Have Been Drawn.

(...) Moving Picture World, Nov. 4, 1916

& FLOWER SHOW LIT BY MOVIE STARS.

      David Griffith‘s Company Attends in a Body.

      Charlie Chaplin and Douglas Fairbanks,

      Fay Tincher and Scores of Other Bright Lights of the Screen

      Declare Show the Greatest Thing Ever.

      By Grace Kingsley.

      Brilliant, indeed, was motion-picture night at the Broadway

Flower and House Beautiful Show last evening.“ (...)

      „Charlie Chaplin breezed in for half an hour and gave the

posies, pictures and furniture the once-over.“

(...) Los Angeles Times, Nov. 2, 1916


„How was it done?“

Editorial content. „Santa Barbara Buckles

      By Al Santell“ (...)

      „The Times claims that Charles Spencer Chaplin, the

comedian, actually did appear at the flower show

last week. When I read it I near fainted. Can it be possible

that HE has visited a public gathering? He has been

INVITED EVERYWHERE, but was always conspicuous

by his absence. How was it done?“

      Los Angeles Times, Nov. 2, 1916.


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