Charlie Chaplin´s Burlesque on Carmen next previous
Burlesque on Carmen Clippings 79/101
Goodwin‘s Weekly, Salt Lake City, Utah, June 3, 1916
Charlie Chaplin‘s Burlesque on Carmen Scenes
& Alan Barnett (photographer), Orpheum Theatre, exterior by day,
Salt Lake City, Nov. 30, 1920, Utah State Historical Society
& Orpheum Theatre, exterior by day, Salt Lake City, undated,
postcard in color
& Orpheum, exterior by day, Salt Lake City
(...) Variety, April 2, 1920
& Now Charlie Chaplin at the Orpheum
in his burlesque on Carmen
An Essanay 4 reeler, one solid scream.“ (...)
„One hour of laughs and entertainment.
Edgar Short‘s Orpheum Orchestra.
10c–20c
One week, starting Wednesday.
Charlie Chaplin in „Police“
(...) Goodwin‘s Weekly, June 3, 1916
& TODAY AT THE ORPHEUM – and For One Week
CHARLIE CHAPLIN
As Don Jose in His Burlesque on CARMEN
4 PARTS 4000 FEET
First and exclusive showing of this screaming Essanay comedy.
Specially arranged music by Edgar Short‘s Orpheum orchestra.
(...) Salt Lake Telegram, Salt Lake City, Utah, May 31, 1916
„To capacity business“
Editorial content. „Chaplin Pictures
Charlie Chaplin´s film burlesque on Carmen opened
at the Orpheum to capacity business Wednesday,
and has continued to please throughout the balance of the week. Chaplin‘s work was never seen to better advantage
than it is in this film, and aside from his old ,tricks,‘ he has a lot
of new ,business‘ that is surprising when one considers
all that has already been done by this screen favorite, There were
three other reels of excellent pictures besides the four
of Chaplin.“
Orpheum, 200 S, Salt Lake City.
Essanay‘s Carmen Fake.
Redaktioneller Inhalt. Ein solider Brüller. Begleitet vom Orpheum
Orchestra unter Edgar Short läuft Chaplins Carmen.
„One Hour full of laughter and entertainment.“
Gezeigt wird die Essanay Fassung von Carmen. Sie hat
vier Akte und ist doppelt so lang wie die von Chaplin
autorisierte Fassung. Das schlägt sich auch im Text der Anzeige
nieder: „Ein Essanay Vierakter, ein solider Brüller.
Eine Stunde Lachen und Unterhaltung.“
Gegen diese Essanay Fassung von Carmen ist
Chaplin gerichtlich vorgegangen. Eine Woche zuvor hat er aber
verloren. Am 26. Mai 1916 meldet die Washington Times,
das Gericht hätte die Klage von Chaplin gegen Essanay abgewiesen.
Charlie Chaplin´s Burlesque on Carmen next previous